Sunday, 16 June 2024

Approaching Girls in a Risk-Free Way (Drive-By Approaches)

TEXTWhat if you could approach with minimal risk of rejection? With drive-by approaching, you can. See how to use it in loud, chaotic venues where (ordinarily) high rejection risks abound.

Hi all. I hope you are doing well.

Now that I’ve finished discussing wingmanning, I’d like to share some notes from the field. Today, I will discuss a strategy specific to night game: how to use different tools in various situations, and in what sequence. This post is not about X technique, but how to apply X technique in Y situation.

Today, I’ll explore how to open and hook in loud, chaotic venues.

People have told me to always focus on non-verbals, and even if that’s true, delivering fancy verbals in loud environments can be counterproductive. Girls cannot hear nor decipher what you are saying, forcing you to repeat (not good), yell (bad), or lean in (even worse). And if she does hear you, a girl may misunderstand what you say. Also, hearing what she says is difficult, so it’s hard for you to calibrate. If things do not work out, you must try to damage control verbally. So, what can you do?

Focusing on non-verbals may seem like good advice at first. You may go entirely non-verbal, which is more of a dance floor strategy. However, many venues may not have a dance floor, and they are still chaotic and noisy. In those settings, you may still need some verbals.

Your verbals must be simple: more human with spikier stimulation. However, you have little control over the outcome unless you meet the right girl, hit all your timings, and deliver suitable material.

So, you must rely on your non-verbals, but what does that really mean? Most who talk about non-verbal communication fail to specify what that is. Is it touching? (This can be tricky to do with a stranger.) Eye contact? Proximity? (Also, tricky), or “Good body language”? (But what is good body language? This is too vague).

I will put everything together comprehensively in this post, focusing on TIMING.



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